Download Alazar's Book of Bondage, Vol.2 by Alazar PDF

By Alazar

ISBN-10: 0865620873

ISBN-13: 9780865620872

In case you benefit from the rigors of an exceptional exercise session, there is not anything like a few tricky rope tips to get the kinks out! Or at the very least that is a method of describing the fetish-filled-fun of bondage illustrator Alazar's moment tome of too-many knots! within the culture of Eric Stanton and John Willie, Alazar makes the really uncomfortable glance amazingly inviting! web page after web page of curvacious cutie, certain helpless and straining opposed to her merciless imprisonment! A long-time fan favourite, Alazar has equipped a effective military of B&D devotees, all looking forward to their master's most recent production! good, the following it's, and the implications are only as interesting and erotic as Alazar's quick-selling first booklet of bondage!

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Additional resources for Alazar's Book of Bondage, Vol.2

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42 Chapter 3 Graffiti Spray Paint Art 10 I Select the brush tool. In the brushes palette, choose one of the soft round brush tip presets. Disable shape dynamics because we do not want the actual thickness of the stroke to change. Enable the airbrush option as well as the smoothing option. Leave the brush opacity set to 100% but reduce the flow to 30% in the tool options bar. Try painting a few strokes at various areas on the black layer that surround the outline art. The longer you stay in one place with the mouse button down, the more the paint will build up in that area.

You don’t need to place yourself at the mercy of the elements, and you don’t need to break the law. All that you need these days is a digital photo, a scanned drawing of your plan, and a little Photoshop know-how. Photoshop offers all of the tools necessary to add innovative digital graffiti to any photographed scene. Brushes, selections, and layer blending modes are essential Photoshop tools to get the job done. In this chapter, the standout features are the brush tool’s airbrush option and flow settings.

Subtracting and combining shapes Now we’ll explore how multiple shapes can be used together within a single shape layer, producing a nice nostril highlight at the same time. 1 I Select the ellipse shape tool, and select the create new shape layer function in the tool options bar. Create a light blue ellipse on the canvas, over his nostril as a new shape layer. Use the Path selection tool to reposition it if necessary. 24 2 I Use the Path selection tool to drag the shape to the right and down a little while holding down the alt(PC)/ option(Mac) key, duplicating it.

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