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By Seares F. H.

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Extra resources for Absolute Scales of Photographic and Photovisual Magnitude(en)(7s)

Example text

By adjoining the first letter in each word, art, research, and teaching, then “passing” the “knife” of a slash between them, Irwin and de Cosson prosthe‑ tize these cultural practices into the neologism a/r/tography to suggest their linguistic and epistemological differences and correspondences. Indeed, the word métis (for an indigenous Canadian of mixed race), its appropriation from the French métissage, and Irwin and de Cosson’s re‑contextualization within a/r/tography consists of a dis‑membering and re‑membering process based in the epistemology of prosthesis.

It will put an end to those localizations[,] which shatter the integrity of the individual body, the social body, the corpus of human needs, and the corpus of knowledge. (Lefebvre 1991, 52) Whereas dissociated social fragments of abstract space are held in hos‑ tage by dominant, homogeneous ideologies, the social disjunctions of differ‑ ential space restore and unify differences and peculiarities. Accordingly, the reconstruction and restoration of unity within differential space corresponds with the interconnections, distortions, displacements, and mutual interac‑ tions that constitute research and practice within the prosthetic space of art.

Board‑by‑board, he lifted, then gently propped them against each other defying gravity. .

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